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Natalie Harmsen

Natalie Harmsen

Natalie has a journalism degree from Carleton University where she graduated with high distinction. When she isn't listening to music, she can be found lip-synching and dancing to it at the loudest possible volume.

Screenshot from Young the Giant's "Amerika" visualizer
Columns, Music, Today's SongMay 4, 2016<May 8, 2016

Today’s Song: Young the Giant Relax and Ignite on “Amerika”

Hein Cooper © Yani Clarke
Debut, Music, Our Take, ReviewsApril 27, 2016<April 27, 2016

Our Take: Hein Cooper’s Blissful Balladry on “The Art of Escape”

The Zolas
Music, Our Take, ReviewsApril 12, 2016<April 11, 2016

Our Take: The Zolas Fall in Love with Life on “Swooner”

Screenshot from Cape Cub's "Closer" music video
Columns, Debut, Music, Today's SongMarch 15, 2016<March 15, 2016

Today’s Song: The Hollow Fragility of Cape Cub’s “Closer”

The Crookes © India Hobson
Features, Music, Our Take, ReviewsMarch 2, 2016<March 11, 2016

Our Take: The Crookes Find Sweet Serendipity with “Lucky Ones”

Ra Ra Riot © Shervin Lainez
Columns, Music, Today's SongFebruary 11, 2016<February 11, 2016

Today’s Song: Ra Ra Riot is Roaring on “Absolutely”

Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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