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Regan Wojick

Regan Wojick

Regan is a 20 year old writer for Atwood Magazine as well as the local Los Angeles art & music magazine, Amadeus. She also runs her own small music blog called musikmusing.co. She loves all things having to with music and is an avid concert goer. She has a hunger for discovering new artists and is always interested in their roots, thought process, and why they do what they do. Regan loves movies, books, film scores, dogs, coffee, playing music, watching "Chopped," and pop music with substance. Her favorite artists are Marina and the Diamonds, Courtney Barnett, Daniel Johnston, Banks, the Smiths, Father John Misty, Grimes, Perfume Genius, and many many more. I hope my music choices make your ears happy!

Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

Pond © 2016
Columns, Music, Today's SongOctober 24, 2016<October 24, 2016

Today’s Song: “Sweep Me Off My Feet” is POND’s Ode to Male Romantics

BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

Wens © Andreas Öhman, Jenni Gabelman
Columns, Debut, Music, Today's SongJuly 28, 2016<July 28, 2016

Today’s Song: Living and Listening to Your “Bones” with Wens

The Avalanches Colours 2016
Columns, Music, Today's SongJune 30, 2016<June 28, 2016

Today’s Song: The Avalanches are Seeing “Colours”

MØ © Fryd Frydendahl
Columns, Music, Today's SongMay 23, 2016<May 23, 2016

Today’s Song: Finding Rhythm and Soul with MØ in “Final Song”

Recent Posts

  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
  • Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ October 14, 2026
  • Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself October 13, 2026
  • “Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning October 13, 2026
  • “Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound October 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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