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Shannon Ruzgys

Shannon Ruzgys

Long suffering student by day, music writer by night.

The Franklin Electric © 2017
Features, Interviews, MusicJuly 10, 2017<July 10, 2017

Blue Ceilings and Greener Pastures: A Conversation with The Franklin Electric

Amber Run © 2017
Music, Our Take, ReviewsMarch 24, 2017<April 5, 2017

Our Take: Amber Run Beautifully Embrace Uncertainty with ‘For a Moment, I Was Lost’

Arkells © 2016 8.9
Music, Our Take, ReviewsOctober 21, 2016<March 2, 2025

Our Take: The Messy Perfection of Arkells’ ‘Morning Report’

Jane's Party - live at Niagara On The Lake, August 2016 // © Shannon Ruzgys
Features, Interviews, Music, PremieresAugust 29, 2016<August 29, 2016

Old Friends and New Sounds: A Conversation with Jane’s Party

California - blink-182
Essays, Features, Music, ReviewsAugust 18, 2016<August 18, 2016

blink-182’s California: The Good, The Bad, and The Comeback

Jane's Party 2016
Columns, Music, Today's SongJuly 26, 2016<July 26, 2016

Today’s Song: Jane’s Party Embrace Addiction on “Cigarette Buzz”

Recent Posts

  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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