November 30, 2023<November 30, 2023 Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust” by Mitch Mosk
November 30, 2023<November 30, 2023 Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness by Mitch Mosk
November 29, 2023<November 29, 2023 Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity” by Mitch Mosk
November 29, 2023<November 29, 2023 Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment” by Mitch Mosk
November 28, 2023<December 1, 2023 “No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup by Mitch Mosk
November 28, 2023<December 13, 2023 “Summertime romance, making love, and glistening in the sunlight”: The Sweet, Love-Soaked Seduction of Milan Ring’s Juicy “Mangos” by Mitch Mosk
November 27, 2023<November 27, 2023 Today’s Song: Gulfer Dive Deep With New Standalone Single “Clean” by Beau Hayhoe
November 24, 2023<November 24, 2023 Today’s Song: Pluto Saffron’s “Don’t Fade Away” Is the Ultimate Irresistible Burst of Nostalgia by Chloe Robinson
November 23, 2023<November 23, 2023 Interview: LØLØ Plots Diabolical Revenge on “hot girls in hell” by Josh Weiner
November 22, 2023<November 22, 2023 Podcast: Tunes & Tumblers Features Thanksgiving Roundtable and a Winter Rumderland by Atwood Magazine Staff
November 21, 2023<November 21, 2023 “Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian by Mitch Mosk
November 19, 2023<November 19, 2023 Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons” by Josh Weiner
November 18, 2023<November 17, 2023 David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now” by Beau Hayhoe
November 17, 2023<November 17, 2023 Atwood Magazine’s Weekly Roundup: November 17, 2023 by Atwood Magazine Staff
November 17, 2023<November 17, 2023 Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty by Mitch Mosk