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Miranda Urbanczyk

Miranda Urbanczyk

Miranda Urbanczyk is a music journalist currently studying at Michigan State University. While loving a good article, she also is fascinated by photography. Outside of Atwood, she is the co-founder of Righteous Reviews and contributes to Best Left Magazine. Miranda can be reached at mirandaurban28@gmail.com.

Amie Blue © 2025
Columns, Music, Today's SongMay 14, 2025<May 14, 2025

Today’s Song: Amie Blu Channels Her Anxieties into the Intimate & Achingly Raw Anthem “swimming in pity”

Khamari © 2025
Columns, Music, Today's SongMay 2, 2025<May 2, 2025

Today’s Song: Khamari’s “Head in a Jar” Is a Collection of Inner Thoughts on Longing & Love

Lunar Vacation © Violet Teegardin
Concerts, Music, ReviewsApril 30, 2025<April 30, 2025

Live Review: Lunar Vacation Steal the Show During Their Performance on Super Bowl Sunday

The Walters © Rachel Briggs
Debut, Features, Interviews, MusicApril 29, 2025<April 29, 2025

Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery

Showpony © Eddi M
Columns, Debut, Music, Today's SongApril 14, 2025<April 14, 2025

Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine”

Matty Reynolds © Matt Lewis
Columns, Music, Today's SongApril 8, 2025<April 8, 2025

Today’s Song: Matty Reynolds Proves That Distance Makes the Heart Grow Fonder in “Timbuktu”

Babe Rainbow © Izzie Austin
Features, Interviews, MusicApril 4, 2025<April 4, 2025

Interview: Reconnecting to Their Roots, Babe Rainbow Go Deep into Nature & Psychedelia on ‘Slipper imp and shakaerator’

Lunar Vacation © Brandon McClain / Eat Humans
Columns, Music, Today's SongApril 1, 2025<April 1, 2025

Today’s Song: Lunar Vacation Embody Vulnerability and Raw Emotion in “Lights Off”

Pretoria © Brady Olson
Columns, Music, Today's SongMarch 27, 2025<March 27, 2025

Today’s Song: Pretoria Ride a Rollercoaster of Emotions in “Don’t Fade”

Savanna Leigh © Brooke Jennings
Columns, Music, Today's SongMarch 19, 2025<March 19, 2025

Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics

Malcolm Todd © Aidan Cullen
Columns, Music, Today's SongMarch 5, 2025<March 5, 2025

Today’s Song: Malcolm Todd and Omar Apollo’s “Bleed” Is a Danceable Dive into Heartache and Power

Matt Maltese © Vinca Petersen
Columns, Music, Today's SongJanuary 25, 2025<January 25, 2025

Today’s Song: Matt Maltese Returns With the Irresistibly Evocative “Anytime, Anyplace, Anyhow”

Greer © Grace Cynthia
Columns, Music, Today's SongJanuary 21, 2025<January 20, 2025

Today’s Song: Greer Return With a Refreshing Rock Edge in “Had Enough,” Their First Release in Four Years

Lizzy McAlpine © Neema Sadeghi
Columns, Music, Today's SongJanuary 18, 2025<January 18, 2025

Lizzy McAlpine’s “Soccer Practice” Depicts the Complexities of Heartbreak & Healing in One Simple Ballad

Recent Posts

  • Interview: Falling in Love with Laci Kaye Booth May 14, 2025
  • Today’s Song: Amie Blu Channels Her Anxieties into the Intimate & Achingly Raw Anthem “swimming in pity” May 14, 2025
  • Atwood Magazine’s Weekly Roundup: May 13, 2025 May 13, 2025
  • Avril Lavigne and Simple Plan Time-Travel Back to Pop-Punk Glory With “Young & Dumb” May 13, 2025
  • Jess Moskaluke Is Defining Country on Her Own Terms May 12, 2025
  • Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox! May 9, 2025
  • Premiere: Emily Vaughn Flirts with Passion on Fun, Frisky, & Feel-Good “Call It What It Isn’t” May 9, 2025
  • Interview: KALEO Reflect on Life, Society, & Their Roots in Impactful Third Album ‘MIXED EMOTIONS’ May 9, 2025
  • Maroon 5 & LISA’s “Priceless”: A Collaboration That’s Anything But Ordinary May 9, 2025
  • “Take a moment and soak it in”: Gizmo Varillas Sees ‘The World in Colour,’ And So Can You May 9, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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