April 13, 2023<April 13, 2023 Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich! by Mitch Mosk
April 12, 2023<April 30, 2023 Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you” by Josh Weiner
April 11, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Waterparks and a Red Drink by Atwood Magazine Staff
April 11, 2023<April 30, 2023 Today’s Song: Korean Alt-Rock Artist LØREN Breaks the Mold with “Folks” by Freya Rinaldi
April 10, 2023<April 30, 2023 Today’s Song: Lyric Christian Teams Up with Robert PM for Empowering “Hands Off (My Crown)” by Chloe Robinson
April 7, 2023<April 30, 2023 Today’s Song: NYC Tastemakers Rebounder Realize Home Is Where the Heart Is on New Single “Dreamland” by Beau Hayhoe
April 6, 2023<April 30, 2023 Today’s Song: Allison Ponthier’s Main Character Anthem, “Character Development” by Kelly McCafferty Dorogy
April 5, 2023<April 30, 2023 Today’s Song: phem Sheds Her Old Masks with Explosive New Single “slippery slope” by Rachel Leong
April 4, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Beach Weather and a Pineapple Sunrise by Atwood Magazine Staff
April 4, 2023<April 30, 2023 Today’s Song: Abi Ocia’s Soul-Stirring “30 Underwater” Is an Achingly Raw Reckoning with Time by Mitch Mosk
April 3, 2023<April 30, 2023 Adulting Made Easy(ish): Erez Zobary’s “Stuck!” Is a Soul-Pop Soundtrack to Our Quarter-Life Crisis by Mitch Mosk
March 31, 2023<April 30, 2023 Racquel Jones’ Triumphant “Elated” Is a Joyful Song of Healing & Celebration by Mitch Mosk
March 31, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 31, 2023 by Atwood Magazine Staff
March 31, 2023<April 30, 2023 “Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month by Guest Writer
For the Love of Music
For the Love of Music
