March 10, 2023<April 30, 2023 “I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month by Guest Writer
March 10, 2023<April 30, 2023 Today’s Song: Follow Daisy Jones & The Six Down “The River” by Brianna Corrine
March 9, 2023<April 30, 2023 Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes” by Rachel Leong
March 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
March 8, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air by Atwood Magazine Staff
March 8, 2023<April 30, 2023 “Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day by Guest Writer
March 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
March 8, 2023<April 30, 2023 Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful by Kylie Gurewitz
March 7, 2023<April 30, 2023 Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline” by Dimitra Gurduiala
March 6, 2023<April 30, 2023 Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand” by Beau Hayhoe
March 2, 2023<April 30, 2023 Ging Aches, Cries, & Dwells in the Depths of “Grief,” a Painful Song of Love, Loss, and Letting Go by Mitch Mosk
March 1, 2023<March 11, 2023 Editor’s Picks 90: Pacific Avenue, Timothy Edward Carpenter, Maggie Miles, BROODS, Hallie, & Ezra Williams! by Mitch Mosk
March 1, 2023<April 30, 2023 Artist to Watch: London’s KIANJA Spills Her Heart & Soul in “Ever Since You Went Away,” an Instant Classic by Mitch Mosk
For the Love of Music
For the Love of Music
