February 23, 2023<February 23, 2023 “The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye by Guest Writer
February 23, 2023<February 23, 2023 Artist to Watch: Mica Millar Premieres Her Cinematic “Trouble” Video with Searing Passion & Stunning Soul by Mitch Mosk
February 22, 2023<February 22, 2023 Today’s Song: vivi rincon Tunes Out the Noise of “the party” & Ruminates on Love by Mitch Mosk
February 21, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Loviet and a Messy Layers by Atwood Magazine Staff
February 21, 2023<February 21, 2023 Today’s Song: Photo Ops Mourns a Friendship in “You Must Not Need a Friend At All,” a Wistful Indie Folk Reckoning by Mitch Mosk
February 20, 2023<February 17, 2023 Today’s Song: Clara Mann’s Intimate “Confessions” Masterfully Finds the Silver Lining During Loss by Sophie Severs
February 17, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: February 17, 2023 by Atwood Magazine Staff
February 17, 2023<March 11, 2023 Editor’s Picks 88: Boyish, JERUB, Alex Lahey, Paige Su, Anna Shoemaker, & Savannah Conley! by Mitch Mosk
February 17, 2023<February 16, 2023 Today’s Song: Montauk Hotel Urge You to Jump in with Shimmering ‘80s Ode “Dive (Come Afloat)” by Beau Hayhoe
February 15, 2023<February 15, 2023 Today’s Song: PVRIS Sets Flames Ablaze and Defiantly Bites Back on “GODDESS” by Isabella Le
February 14, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Anna of the North and a Crazy Sour by Atwood Magazine Staff
February 14, 2023<February 14, 2023 Today’s Song: Afro Caribbean Trio Nite Bjuti Examine a Collective Life Cycle in Debut Single “Mood (Liberation Walk)” by Chloe Robinson
February 13, 2023<February 13, 2023 Artist to Watch: Brian Dunne Accepts “Bad Luck” in His Liberating & Lively New Anthem by Mitch Mosk
For the Love of Music
For the Love of Music
