December 9, 2023<December 9, 2023 Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture” by Jaclyn Kelly
December 9, 2023<December 12, 2023 Atwood Magazine’s Weekly Roundup: December 8, 2023 by Atwood Magazine Staff
December 8, 2023<December 8, 2023 Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’ by Mitch Mosk
December 8, 2023<December 8, 2023 Artist to Watch: TEE Dwells in Love’s Depths and Gets Caught in the ‘LOOP’ by Mitch Mosk
December 7, 2023<December 7, 2023 Today’s Song: KTJ & CARLY Share Their Gracefully Poignant “Sundays” by Chloe Robinson
December 6, 2023<December 6, 2023 Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere” by Mitch Mosk
December 5, 2023<December 12, 2023 Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound by Mitch Mosk
December 4, 2023<December 4, 2023 Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss” by Jake Fewx
December 1, 2023<December 1, 2023 Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom” by Mitch Mosk
December 1, 2023<December 1, 2023 Atwood Magazine’s Weekly Roundup: December 1, 2023 by Atwood Magazine Staff
November 30, 2023<November 30, 2023 Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust” by Mitch Mosk
November 30, 2023<November 30, 2023 Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness by Mitch Mosk
November 29, 2023<November 29, 2023 Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity” by Mitch Mosk
November 29, 2023<November 29, 2023 Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment” by Mitch Mosk
November 28, 2023<December 1, 2023 “No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup by Mitch Mosk