August 19, 2024<August 19, 2024 With “Reputation,” Hana Giraldo Steps into the Spotlight and Flips the Public’s Perception Upside-Down by Grace Holtzclaw
August 16, 2024<August 19, 2024 Interview: Isabel Dumaa’s “C’est La Vie” Is an Anthem of Angst, Liberation, & Acceptance by Mitch Mosk
August 15, 2024<August 14, 2024 Today’s Song: Brooklyn Trio Psychic Lines’ “LA in My Mind” Captures the Idea of Clinging onto a Beautiful Illusion by Chloe Robinson
August 14, 2024<August 14, 2024 Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One by Mitch Mosk
August 13, 2024<August 13, 2024 “A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders by Mitch Mosk
August 12, 2024<August 14, 2024 Atwood Magazine’s Weekly Roundup: August 12, 2024 by Atwood Magazine Staff
August 12, 2024<August 12, 2024 “I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs by Mitch Mosk
August 9, 2024<August 9, 2024 “If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun” by Mitch Mosk
August 8, 2024<August 8, 2024 Maximum R&B Meets Pop Art: The Who’s Musical Fruit, “Heinz Baked Beans” by Guest Writer
August 8, 2024<August 8, 2024 Today’s Song: ‘Brat’ Summer Is Here to Stay With Charli XCX’s “Guess” ft. Billie Eilish by Marc Maleri
August 7, 2024<August 7, 2024 Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts by Mitch Mosk
August 5, 2024<August 8, 2024 Atwood Magazine’s Weekly Roundup: August 5, 2024 by Atwood Magazine Staff
August 3, 2024<August 3, 2024 Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free” by Ciaran Short
August 2, 2024<August 2, 2024 Today’s Song: Anthemic As Ever, Japandroids Return With Stadium-Level Sound & Finalize Their Legacy on “Chicago” by Kevin Cost
For the Love of Music
For the Love of Music
