February 19, 2024<February 19, 2024 “When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By by Mitch Mosk
February 18, 2024<February 18, 2024 Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along” by Audrey Connelly
February 17, 2024<February 17, 2024 “No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go by Lauren Turner
February 16, 2024<February 22, 2024 Atwood Magazine’s Weekly Roundup: February 16, 2024 by Atwood Magazine Staff
February 16, 2024<February 16, 2024 Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream by Mitch Mosk
February 15, 2024<February 15, 2024 “Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie by Mitch Mosk
February 15, 2024<February 15, 2024 The Transcendent “Les Fleurs” Is Minnie Riperton’s Hidden Gem by Audrey Connelly
February 13, 2024<February 13, 2024 Today’s Song: Hiatus Kaiyote Vibe With Relentless Positivity on Wonderful New Single “Everything’s Beautiful” by Jake Fewx
February 12, 2024<February 11, 2024 “I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’ by Mitch Mosk
February 11, 2024<February 11, 2024 “Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon” by Kate Millar
February 10, 2024<February 9, 2024 Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U” by Aidan Moyer
February 9, 2024<February 9, 2024 Atwood Magazine’s Weekly Roundup: February 9, 2024 by Atwood Magazine Staff
February 9, 2024<February 9, 2024 “Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love by Mitch Mosk
February 8, 2024<February 8, 2024 Today’s Song: Middle Kids Explode Through the Negativity with “Terrible News” by Francesca Rose