March 9, 2021 March 9, 2021 Review: Japanese Breakfast Is Back to Take on the World with “Be Sweet” by Dahlia
March 9, 2021 March 9, 2021 Today’s Song: Lava La Rue’s “Magpie” Pays Forward the Musical Lineage of the UK Underground Scene by Kelly Liu
March 8, 2021 March 8, 2021 Today’s Song: Pom Pom Squad’s Explosive & Impassioned “Lux” Reels Through Trauma & Turmoil with Feverish Finesse by Mitch Mosk
March 5, 2021 March 10, 2021 Atwood Magazine’s Weekly Roundup: International Women’s Day 2021 by Staff
March 5, 2021 March 5, 2021 The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance by Bethan Harper
March 4, 2021 March 14, 2021 Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon by Mitch Mosk
March 4, 2021 March 4, 2021 Breaking the Record with Roan Yellowthorn, Part 52: “Vampire” by Guest Writer
March 4, 2021 March 3, 2021 Slick N’ Stylish Andreww Explores Toxic Relationships in Genre-Bending, Eclectic “Medusa” by Hermione Kellow
March 3, 2021 March 3, 2021 Interview: ALITA Talks Single Inspiration, Mothering Men and Her Many Musical Talents by Chloe Robinson
March 3, 2021 March 3, 2021 Today’s Song: Sam MacPherson’s “Routine” Is a Vulnerable Lamentation of a Past Love by Jason Brillon
March 2, 2021 March 1, 2021 Today’s Song: Samantha Crain’s Glowing New Single “Bloomsday” by Mariel Fechik
March 1, 2021 March 2, 2021 Music You Should Know: Father-Son Duo Femi Kuti & Made Kuti Carry the Standard with ‘Legacy +’ by Ben Niesen
March 1, 2021 March 1, 2021 Today’s Song: Rebecca Black Is Getting Back with Her “Girlfriend” for the Better by James Crowley
For the Love of Music
For the Love of Music
