December 19, 2022 December 18, 2022 Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’ by Beau Hayhoe
December 19, 2022 January 7, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3 by Staff
December 16, 2022 December 16, 2022 Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’ by Mitch Mosk
December 14, 2022 March 11, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2 by Staff
December 14, 2022 December 14, 2022 Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’ by Beau Hayhoe
December 13, 2022 December 13, 2022 Today’s Song: Tones and I’s “Eyes Don’t Lie” Is a Powerful Ode to Moving On by Lauren Turner
December 9, 2022 March 11, 2023 Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega! by Mitch Mosk
December 9, 2022 December 9, 2022 Today’s Song: Inside The Veils’ Misty, Mesmerizing & Utterly Seductive “Undertow” by Chloe Robinson
December 8, 2022 December 8, 2022 Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs” by Mitch Mosk
December 7, 2022 December 7, 2022 “I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning by Mitch Mosk
December 7, 2022 December 7, 2022 Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance by Mitch Mosk
December 6, 2022 December 6, 2022 Today’s Song: Kid Cudi Explores Heartbreak, Love, & Hope in “Willing to Trust,” a Journey Through an Anxious Mind by Nick Polak
December 5, 2022 March 11, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 1 by Staff
For the Love of Music
For the Love of Music
