August 31, 2025<August 31, 2025 Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction by Mitch Mosk
August 30, 2025<August 30, 2025 Atwood Magazine’s Weekly Roundup: August 30, 2025 by Atwood Magazine Staff
August 30, 2025<August 30, 2025 “Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream by Mitch Mosk
August 29, 2025<August 29, 2025 “I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release by Mitch Mosk
August 29, 2025<August 29, 2025 Today’s Song: Ché Noir and 38 Spesh Are Cashing in on Lessons with “Smooth Jazz” by Jonah Evans
August 28, 2025<September 6, 2025 Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men! by Mitch Mosk
August 28, 2025<August 28, 2025 “Farewell, My Dreaded Fear”: Of Monsters and Men Return Home as an “Ordinary Creature” in a Tender Ode to Vulnerability & Belonging by Ashley Littlefield
August 27, 2025<August 27, 2025 Today’s Song: Hannah Grace & Gabrielle Aplin’s Stunning Duet “Why Can’t I Cry About It?” Is a Devastating Confession of Stillness and Ache by Danielle Holian
August 22, 2025<August 22, 2025 Today’s Song: Lana Del Rey Rides West with Her Evocative Tale, “Henry, come on” by Bárbara Martínez Campuzano
August 21, 2025<August 22, 2025 “I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style by Mitch Mosk
August 21, 2025<August 21, 2025 Interview: Midnight Generation Is Funk’s Best-Kept Secret by Nasim Elyasi
August 21, 2025<August 21, 2025 Funky, Binding, & Pissed Off: “GOD SAVE THE PONY.” Finds BIG SPECIAL Turning Anger into Beauty by Andrew Lamson
August 20, 2025<August 21, 2025 “I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions by Aileen Goos
For the Love of Music
For the Love of Music
