January 21, 2025<January 20, 2025 Today’s Song: Greer Return With a Refreshing Rock Edge in “Had Enough,” Their First Release in Four Years by Miranda Urbanczyk
January 20, 2025<January 20, 2025 Indie Rock at Its Best: Wallows Unveil the Anthemic “Your New Favorite Song” by Danielle Holian
January 18, 2025<January 18, 2025 Lizzy McAlpine’s “Soccer Practice” Depicts the Complexities of Heartbreak & Healing in One Simple Ballad by Miranda Urbanczyk
January 17, 2025<January 17, 2025 Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers! by Mitch Mosk
January 17, 2025<January 14, 2025 Daffo’s “Winter Hat” Stunningly Captures the Quiet Grief of Growing Up by Noa Jamir
January 16, 2025<January 16, 2025 “Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability by Juls Patterson
January 16, 2025<January 20, 2025 Today’s Song: ROSÉ & Bruno Mars Make History With “APT.” by Danielle Holian
January 15, 2025<January 15, 2025 “One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself by Mitch Mosk
January 15, 2025<January 14, 2025 Today’s Song: Sky Ferreira Is Back, Bolder, and Better than Ever on “Leash” by Isabella Le
January 14, 2025<January 14, 2025 Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP by Frankie Rose
January 14, 2025<January 14, 2025 Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)” by Grace Holtzclaw
December 23, 2024<December 23, 2024 Music You Should Know: Bad Religion’s ‘Christmas Songs’ by Haley Mitchell
December 20, 2024<December 20, 2024 Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 3! by Atwood Magazine Staff
December 18, 2024<December 18, 2024 Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 2! by Atwood Magazine Staff
December 17, 2024<December 17, 2024 Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval by Mitch Mosk
For the Love of Music
For the Love of Music
