• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Danielle Holian

Danielle Holian

Danielle Holian is an Irish-based writer from Galway. She is a music publicist, music journalist, and the author of three poetry books. You can usually find her doing something creative. In her spare time, she loves to fuss over the organisation and orientation of her shelves of books, do a word search, cook and bake something delicious, crochet and knit to unwind, read to her heart's content, work on her next book, snap some pictures for her photo albums, and surf the streaming ocean to find a new series to binge. Find her on Instagram/Twitter @danielleholian_, and email danielleholianmedia@gmail.com

Cara Delevingne "Need It" © Blair Brown
Columns, Music, Today's SongJuly 20, 2026<July 20, 2026

“Who Owns Who?”: Cara Delevingne Finds Her Voice on the Electrifying, Emotionally Razor-Sharp “Need It”

Bobby Freemont © Steph Verschuren
Debut, Features, Music, PremieresJuly 8, 2026<July 8, 2026

Album Premiere: Bobby Freemont’s Debut ‘the death of bobby freemont’ Is a Masterpiece That Finds Hope in Mortality

WILLOW “She’s My Religion” © Sarah Binder
Columns, Music, Today's SongJuly 6, 2026<July 6, 2026

“The Shadow Is Holy”: WILLOW’s “She’s My Religion” Is a Mesmerizing Hymn to the Divine Feminine

Bleachers ‘everyone for ten minutes’ album art 8.9
Music, Our Take, ReviewsJuly 1, 2026<July 1, 2026

Our Take: Bleachers Find Grace in Life’s Loudest and Quietest Moments in ‘everyone for ten minutes’

Cara Delevingne © Blair Brown
Columns, Debut, Music, Today's SongJune 13, 2026<June 13, 2026

“I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head”

Bleachers © Alex Lockett
Columns, Music, Today's SongMay 30, 2026<May 30, 2026

“We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie

Lewis Capaldi "Stay Love" © Charlie Sarsfield
Columns, Music, Today's SongMay 16, 2026<May 16, 2026

“Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love”

Duran Duran and Nile Rodgers © Stephanie Pistel
Columns, Music, Today's SongMay 11, 2026<May 11, 2026

A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers

Esme Rose © 2026
Music, ReviewsApril 15, 2026<April 15, 2026

Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP

Suki Waterhouse "Back in Love" © Miles Aldridge
Columns, Music, Today's SongApril 11, 2026<April 11, 2026

“I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”

Raye © Aliyah Otchere
Music, ReviewsApril 8, 2026<April 8, 2026

Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

Melanie Martinez 'HADES' © Cho Giseok
Music, ReviewsApril 6, 2026<April 6, 2026

Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

The Clockworks © Nicholas O'Donnell
Music, ReviewsApril 3, 2026<April 3, 2026

The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

Harry Styles © Johnny Dufort
Music, ReviewsMarch 13, 2026<March 13, 2026

‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet

Grace VanderWaal "Prettier"
Columns, Music, Today's SongFebruary 14, 2026<February 14, 2026

“You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired

Posts pagination
1 2 3 … 6

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services