Pride Month

June 1, 2022<June 1, 2022

Essay: Brandon Stansell Reflects on His Own “Wild Ride” for Pride Month

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Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By”
Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me”
Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles
Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’
Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’
Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement
Atwood Magazine’s Weekly Roundup: November 14, 2024

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Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By” November 16, 2024
Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me” November 15, 2024
Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles November 15, 2024
Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ November 15, 2024
Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ November 14, 2024
Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement November 14, 2024
Atwood Magazine’s Weekly Roundup: November 14, 2024 November 14, 2024
Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’ November 14, 2024
“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP November 13, 2024
Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You” November 13, 2024

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