September 27, 2024<September 27, 2024 Interview: Ellee Duke Finds the Strength to Rise Above Her Bullies With “fragile” by Chloe Robinson
September 26, 2024<September 26, 2024 Musician Gosha Guppy & Filmmaker Milo Hume Join Forces to Create a Whimsical Rap Adventure About Courtship and Romance in the Age of Social Media by Ciaran Short
September 25, 2024<October 2, 2024 “Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love by Mitch Mosk
September 25, 2024<September 25, 2024 “I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP by Mitch Mosk
September 25, 2024<September 5, 2025 “I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’ by Nasim Elyasi
September 23, 2024<September 23, 2024 “Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong by Mitch Mosk
September 23, 2024<September 23, 2024 Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’ by Mitch Mosk
September 20, 2024<October 5, 2024 Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album by Mitch Mosk
September 20, 2024<September 20, 2024 “I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’ by Christine Buckley
September 19, 2024<September 19, 2024 “Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’ by Sophie Severs
September 19, 2024<September 29, 2024 Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’ by Rachel Leong
September 18, 2024<September 18, 2024 Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album by Mitch Mosk
September 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
September 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
September 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
For the Love of Music
For the Love of Music
