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Kate Millar

Kate Millar

Kate Millar is a poet and writer from Edinburgh, Scotland, currently living in New York City. Her work appears or is forthcoming in BOMB Magazine, The Inflectionist Review, Gutter, and Ekstasis. When not writing, you can find her at an indie music gig in Brooklyn, drinking midnight coffee at Cafe Reggio, or doing arts and crafts with her friends. You can reach her via email: kapmillar[at]gmail[dot]com or on Instagram: @katepmillar!

Felukah © Essam
Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

Hippo Campus © Brit O'Brien
Features, Interviews, MusicNovember 12, 2024<November 12, 2024

“Serenity Prayer Type Shit”: A Conversation With Hippo Campus

Real Estate © Sinna Nasseri
Features, Interviews, MusicAugust 27, 2024<August 27, 2024

Songs to Myself: An Interview With Real Estate’s Martin Courtney

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Features, Interviews, MusicApril 3, 2024<April 3, 2024

“Some questions have an answer, others just have a sound”: Beatenberg’s Matt Field on ‘The Great Fire of Beatenberg’ and Making Art During Times of Crisis

Abby Sage © Noah Kentis
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

“No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty

M Field © 2022
Columns, Music, Today's SongFebruary 11, 2024<February 11, 2024

“Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon”

Jaguar Sun © Chris Minielly
Features, Interviews, MusicOctober 26, 2023<October 26, 2023

Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun

Far Caspian self-portrait © Joel Johnston
Features, Interviews, MusicSeptember 12, 2023<October 26, 2023

Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

Recent Posts

  • “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” July 24, 2026
  • “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ July 24, 2026
  • Atwood Magazine’s Weekly Roundup: July 24, 2026 July 24, 2026
  • Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! July 23, 2026
  • “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” July 23, 2026
  • “I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition July 23, 2026
  • “I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present July 23, 2026
  • “It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)” July 23, 2026
  • “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop July 22, 2026
  • “It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship July 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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