June 6, 2022<August 7, 2024 Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’ by Mitch Mosk
June 6, 2022<June 7, 2022 Interview with Les Claypool: Primus, Oysterhead Founder Discusses Rush, Wine Making, Fishing, Movies, & More by Guest Writer
June 3, 2022<September 29, 2022 “Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss by Mitch Mosk
May 27, 2022<May 27, 2022 ‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album by Mitch Mosk
May 26, 2022<June 5, 2022 (Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP by Mitch Mosk
May 26, 2022<May 26, 2022 Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album by Mitch Mosk
May 24, 2022<September 29, 2022 “Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’ by Mitch Mosk
May 20, 2022<January 30, 2024 “Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’ by Nasim Elyasi
May 20, 2022<May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 19, 2022<May 19, 2022 “Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’ by Mitch Mosk
May 19, 2022<May 19, 2022 “Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke by Ben Niesen
May 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
May 16, 2022<May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
May 16, 2022<September 29, 2022 “Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie by Mitch Mosk
For the Love of Music
For the Love of Music
