• Home
  • About
  • Get Involved
  • Contact
  • Pitching Us
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • Recent
  • Features
  • Interviews
  • Premieres
  • Columns
    • Today’s Song
    • Weekly Roundup
    • Editor’s Picks
    • Music You Should Know
    • Nostalgia Tracks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
Isabella Le

Isabella Le

Isabella Le (she/her) is a Vietnamese-American writer and photographer, hailing from the heart of sunny Southern California. Despite having grown up in a rather traditional and simple family when it came to music, she’s developed a particular affinity for punk, K-Pop, R&B, and everything else in between. When she is not writing about or photographing her world, you can find her perusing the bins of her local record shops or doing tarot and natal chart readings (that is, during the rare occasion she isn’t at home reading her latest literary find or watching obscure documentaries on YouTube). She’s also an Aquarius, if that means anything at all.

Laufey © Gemma Warren
Columns, Music, Today's Song June 17, 2022 June 17, 2022

Today’s Song: Wistful, Hopeless Romanticism & Jazz Revival in Laufey’s “Fragile”

Disclaimer

Atwood Magazine

The postings on this site belong to Atwood Magazine's writers alone and do not reflect the views of any third party.

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 24, 2022 June 24, 2022
  • “All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album June 24, 2022
  • “Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece June 24, 2022
  • ‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album June 24, 2022
  • “Family Gifts”: A Pride Month Essay by Quinn Christopherson June 24, 2022
  • Today’s Song: Sharon Van Etten and Angel Olsen’s “Like I Used To” Is a Beacon of Hope June 24, 2022
  • Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’ June 24, 2022
  • Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary June 23, 2022
  • “Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder June 23, 2022
  • “Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album June 23, 2022
Copyright © Atwood Magazine 2021
Back to top