April 21, 2023<April 22, 2023 Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine! by Mitch Mosk
April 21, 2023<April 30, 2023 “But At Least We Had Music”: A Conversation with Rodrigo y Gabriela by Adrian Vargas
April 21, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: April 21, 2023 by Atwood Magazine Staff
April 21, 2023<April 30, 2023 Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream by Mitch Mosk
April 20, 2023<April 30, 2023 Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP by Mitch Mosk
April 20, 2023<April 30, 2023 Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut by Mitch Mosk
April 20, 2023<April 30, 2023 Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth by Lauren Turner
April 20, 2023<April 30, 2023 Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras by Julia Dzurillay
April 20, 2023<April 30, 2023 Today’s Song: MORGXN Finds Hope in the Darkness on Triumphant Anthem “Beacon” by Mitch Mosk
April 19, 2023<April 30, 2023 ‘You Only Get a Few’: The Raw Humanity of Upstate’s Beautiful Third Album by Mitch Mosk
April 19, 2023<October 20, 2023 Artist to Watch: “Four Walls” Is Bekah Bossard’s Intimate & Achingly Raw Ode to Their Own Anxiety & Depression by Mitch Mosk
April 19, 2023<April 30, 2023 Pop/Rock Duo joan Repair Shattered Emotions with Debut Album ‘superglue’ by Julius Robinson
April 19, 2023<April 30, 2023 Interview: Artist-to-Watch PJ Frantz Brings Comfort & Candor to a Generation of Kids Trying to Find Happiness by Nick Polak
April 19, 2023<April 30, 2023 Bad Bunny Returns to His Gulf Gas Station Roots at Coachella ’23 by Julia Dzurillay
April 18, 2023<April 30, 2023 Fun Times with Friends: NEWSKI’s Spirited ‘Friend Rock’ Embraces Music’s Human Element by Mitch Mosk
For the Love of Music
For the Love of Music
