October 8, 2024<October 8, 2024 Lea Thomas Invites Listeners to Recognize Their Own Connectedness on “River Runs Through,” an 8-Minute Window into the Magical World of Her New Album by Olivia Martinez
October 7, 2024<October 7, 2024 Interview: Royal She Hate Their Way into Our Hearts With “My Ex” by Chloe Robinson
October 7, 2024<October 26, 2024 Atwood Magazine’s Weekly Roundup: October 7, 2024 by Atwood Magazine Staff
October 7, 2024<November 2, 2024 “A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph by Mitch Mosk
October 7, 2024<October 7, 2024 “It feels just like a hot rush”: Girl Scout’s Sweet N’ Spicy Anthem “Honey” Hits Hard & Goes Down Smooth by Mitch Mosk
October 6, 2024<October 4, 2024 “It’s a Miracle That Love Even Happens At All”: Orion Sun Sinks into the Warm Clutches of Romance on Stunning “Sick” by Jake Fewx
October 5, 2024<October 4, 2024 “What do you even see in me?”: The Beaches Speak to Fans Nearest & Dearest in Dynamic “Jocelyn” by Rachel Leong
October 4, 2024<October 4, 2024 “I’ve been feeling the weight of everything”: Basking in the Heat of flipturn’s Beachy Reverie, “Rodeo Clown” by Mitch Mosk
October 4, 2024<October 4, 2024 Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’ by Mitch Mosk
October 4, 2024<October 4, 2024 “Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album by Mitch Mosk
October 4, 2024<October 4, 2024 “A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project by Isabella Le
October 4, 2024<October 4, 2024 Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’ by Minna Abdel-Gawad
October 4, 2024<October 4, 2024 Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’ by Liv Goodbody
October 3, 2024<October 4, 2024 Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered by Oliver Crook
October 3, 2024<October 3, 2024 Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece by Joe Beer
For the Love of Music
For the Love of Music
