September 22, 2024<September 22, 2024 Today’s Song: Leif Vollebekk Gives Us “Peace of Mind” With a Dreamy, Soul-Stirring, Feel-Good Reverie by Mitch Mosk
September 21, 2024<September 21, 2024 “Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine by Mitch Mosk
September 20, 2024<September 20, 2024 Joan & the Giants Pull Us in on “Feels Like Heartache,” a Brutally Honest Song of Love, Loss, & Longing by Mitch Mosk
September 20, 2024<October 5, 2024 Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album by Mitch Mosk
September 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
September 20, 2024<September 20, 2024 “I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’ by Christine Buckley
September 20, 2024<September 20, 2024 An Album Oozing With Dangerous Ecstasy, ‘In Waves’ Is an Intense Dive into Jamie xx’s New Sound by Liv Goodbody
September 19, 2024<September 19, 2024 “Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’ by Sophie Severs
September 19, 2024<September 29, 2024 Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’ by Rachel Leong
September 18, 2024<September 18, 2024 Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album by Mitch Mosk
September 18, 2024<September 18, 2024 “Strangers in another life fell hard at the right time”: Rodeo Parade’s Heart Shines on “Seasons Waiting,” a Timeless Love Song of Warmth, Wonder, & Sweet Romance by Mitch Mosk
September 18, 2024<September 18, 2024 Premiere: London’s Ziyad Al-Samman Breaks Out With a “Bang” of Love, Madness, & Disco Pop Flare by Mitch Mosk
September 18, 2024<September 18, 2024 “My skin was blue, but that’s okay”: Brooklyn’s Dino Expedition Premiere “Marie,” an Aching Indie Folk Song of Trauma, Innocence, & Trust Betrayed by Mitch Mosk
September 18, 2024<September 18, 2024 Beyond a ‘Reasonable Doubt’: Why Jay-Z’s Debut Is the Greatest Rap Album of All Time by Eric Schuster
September 18, 2024<September 18, 2024 “Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability by Mitch Mosk
For the Love of Music
For the Love of Music
