July 13, 2026<July 14, 2026 “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past by Mitch Mosk
July 13, 2026<July 14, 2026 “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire by Mitch Mosk
July 13, 2026<July 13, 2026 “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene by Dusty Hayes
July 11, 2026<July 11, 2026 “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane by Jack Batt
July 10, 2026<July 10, 2026 Roundtable Discussion: A Review of Flea’s ‘Honora’ by Atwood Magazine Staff
July 10, 2026<July 10, 2026 “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart by Mitch Mosk
July 10, 2026<July 16, 2026 “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ by Isabella Le
July 10, 2026<July 17, 2026 Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! by Mitch Mosk
July 9, 2026<July 9, 2026 “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ by Isabella Appell
July 9, 2026<July 9, 2026 “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance by Mitch Mosk
July 9, 2026<July 9, 2026 “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love by Mitch Mosk
July 9, 2026<July 9, 2026 “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony by Dusty Hayes
July 8, 2026<July 22, 2026 “Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself by Mitch Mosk
For the Love of Music
For the Love of Music
