October 18, 2022<March 11, 2023 Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde! by Mitch Mosk
October 18, 2022<October 18, 2022 Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’ by Michael Greco
October 18, 2022<October 18, 2022 Premiere: Sohodolls Get the Last Word with Stunning “Letter to My Ex (Thank You, Goodbye)” by Mitch Mosk
October 17, 2022<January 12, 2023 Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’ by Mitch Mosk
October 17, 2022<March 30, 2024 Interview: Wild Pink’s John Ross Talks Gorgeous New LP ‘ILYSM,’ Beating Cancer, & the Frightening Realities of Touring by Beau Hayhoe
October 14, 2022<October 14, 2022 ‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion by Mitch Mosk
October 14, 2022<June 15, 2023 Atwood Magazine’s Weekly Roundup: October 14, 2022 by Atwood Magazine Staff
October 14, 2022<March 11, 2023 Interview: Betty Who is Ready to Dance in a ‘BIG!’ Way by Audrey Steeves
October 13, 2022<October 13, 2022 “Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP by Mitch Mosk
October 13, 2022<October 13, 2022 Space, Dreams, & Memory: Scotland’s Constant Follower Debut with ‘Neither Is, Nor Ever Was,’ a Hauntingly Beautiful Record Capturing Life’s Magic Spark by Mitch Mosk
October 13, 2022<October 13, 2022 Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound by Lilly Eason
October 12, 2022<October 12, 2022 Nostalgia, Impermanence, & Solace: Ari Lindo Embraces Stillness in ‘Cost of Giving,’ a Sweetly Stirring Debut by Mitch Mosk
October 12, 2022<October 12, 2022 Track-by-Track: Bolinas’ Debut Album Is ‘Heavy Easy Listening’ At Its Finest by Mitch Mosk
October 12, 2022<October 12, 2022 Bowie’s Extraordinary Dream: A Review of the Film ‘Moonage Daydream’ by David Buyze
8.3 October 12, 2022<October 12, 2022 Our Take: King Princess Proves She Deserves Her Crown with ‘Hold on Baby’ by Nic Nichols
For the Love of Music
For the Love of Music
