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Hannah Burns

Hannah Burns

Hannah Burns, originally from Charleston, SC, received her MFA in Fiction from The New School. Her writing can be found in Atwood Magazine, The Crawfish, Public Seminar, Platform Review, KGB Lit, and The Brooklyn Rail. She lives in Brooklyn and works for The Urbane Arts Club.

Sofia Wolfson "Obviously" © Michael Tyrone Delaney
Columns, Music, Today's SongMay 20, 2026<May 20, 2026

“How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On

Daphne Gale © 2026
Music, ReviewsJanuary 20, 2026<January 20, 2026

“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’

Sarah Katherine Lawless and Ava McCoy © 2025
Columns, Music, Today's SongSeptember 12, 2025<September 3, 2025

Today’s Song: Sarah Katherine Lawless Celebrates Late Summer in “make it make sense” (stripped) ft. Ava McCoy

Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

Kid Lake © Neil Shukla
Concerts, Music, ReviewsSeptember 25, 2024<September 25, 2024

Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens

The Greeting Committee © Tyler Krippaehne
Concerts, Music, ReviewsAugust 20, 2024<August 20, 2024

Live Review: Celebrating Everything Old & New at The Greeting Committee Concert

Sofia Wolfson 'Imposing on a Hometown'
Concerts, Debut, Music, ReviewsJuly 30, 2024<July 30, 2024

Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City

Chappell Roan at Boston Calling 2024 © Alive Coverage
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024

Full Service: Boston Called, and Chappell Roan Picked Up the Phone

Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

Danielle Durack © Eunice Beck
Features, Interviews, MusicFebruary 13, 2024<February 16, 2024

Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’

Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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