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Hannah Burns

Hannah Burns

Hannah Burns, originally from Charleston, SC, received her MFA in Fiction from The New School. Her writing can be found in Atwood Magazine, The Crawfish, Public Seminar, Platform Review, KGB Lit, and The Brooklyn Rail. She lives in Brooklyn and works for The Urbane Arts Club.

Sofia Wolfson "Obviously" © Michael Tyrone Delaney
Columns, Music, Today's SongMay 20, 2026<May 20, 2026

“How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On

Daphne Gale © 2026
Music, ReviewsJanuary 20, 2026<January 20, 2026

“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’

Sarah Katherine Lawless and Ava McCoy © 2025
Columns, Music, Today's SongSeptember 12, 2025<September 3, 2025

Today’s Song: Sarah Katherine Lawless Celebrates Late Summer in “make it make sense” (stripped) ft. Ava McCoy

Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

Kid Lake © Neil Shukla
Concerts, Music, ReviewsSeptember 25, 2024<September 25, 2024

Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens

The Greeting Committee © Tyler Krippaehne
Concerts, Music, ReviewsAugust 20, 2024<August 20, 2024

Live Review: Celebrating Everything Old & New at The Greeting Committee Concert

Sofia Wolfson 'Imposing on a Hometown'
Concerts, Debut, Music, ReviewsJuly 30, 2024<July 30, 2024

Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City

Chappell Roan at Boston Calling 2024 © Alive Coverage
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024

Full Service: Boston Called, and Chappell Roan Picked Up the Phone

Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

Danielle Durack © Eunice Beck
Features, Interviews, MusicFebruary 13, 2024<February 16, 2024

Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’

Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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