August 11, 2025<August 11, 2025 “The Cheapest Therapy You Can Ever Get”: bLAck pARty Talks DJ Culture, Heartache, & the Healing Power of Music by Miranda Urbanczyk
August 11, 2025<August 15, 2025 “Like a rock star gone too far”: Glass Animals Bring Swagger & Bite to Their Fresh Fruit Series with “Vampire Bat” by Ashley Littlefield
August 9, 2025<August 13, 2025 Live Review: Reveling in My Chemical Romance’s Opera and Overjoy by Emma Schoors
August 8, 2025<August 8, 2025 Premiere: Elijah Berlow Captures the Ache of Unspoken Feelings on “impatient by the continental divide,” a Soft & Stirring Indie Folk Reverie by Mitch Mosk
August 8, 2025<August 13, 2025 Atwood Magazine’s Weekly Roundup: August 8, 2025 by Atwood Magazine Staff
August 7, 2025<August 7, 2025 Lollapalooza 2025 Is All Anyone Can Talk About, and We’re Here to Tell You Why by Miranda Urbanczyk
August 7, 2025<August 7, 2025 Genre-Bending Duo Speak Friend Go on an Auditory Adventure with Debut EP ‘IAJAR’ by Ciaran Short
August 7, 2025<November 13, 2025 Meet Nxdia, the UK’s Next Biggest Star Whose Mixtape ‘I Promise No One’s Watching’ Will Make You Feel Less Alone by Oliver Crook
August 7, 2025<August 7, 2025 When Good Love Isn’t Enough: Alix Page’s “Sweet” Holds the Exit Open by Nicolle Knapová
August 6, 2025<August 6, 2025 Editor’s Picks 130: Olivia Dean, Ken Yates, Flock of Dimes, Angelsaur, Little Dog Star, & Glom! by Mitch Mosk
August 6, 2025<August 6, 2025 “It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’ by Mitch Mosk
August 6, 2025<August 7, 2025 Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation by Mitch Mosk
August 6, 2025<August 6, 2025 Today’s Song: Susannah Joffe Freestyles a Sweet Concoction on “Sofia Coppola” by Josh Weiner
August 5, 2025<August 5, 2025 Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut by Mitch Mosk