July 8, 2025<July 8, 2025 “Home Grown Nostalgia”: TOLEDO Find Motion in Stillness on Their Seductively Spellbinding ‘Inertia’ EP by Mitch Mosk
8.7 July 8, 2025<July 8, 2025 Our Take: Little Simz Channels Abundant Moods and MC Skills into Her Sixth Album, ‘Lotus’ by Josh Weiner
July 8, 2025<July 8, 2025 Roundtable Discussion: Zach Bryan’s ‘The Great American Bar Scene’ Turns One by Atwood Magazine Staff
July 8, 2025<July 8, 2025 “Kissing the Drain”: Jahnah Camille Hits a Breaking Point in Her Feverish Alt-Rock Anthem “what do you do?” by Mitch Mosk
July 7, 2025<July 7, 2025 “Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget” by Mitch Mosk
July 7, 2025<July 7, 2025 Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP by Kaiana Lee
July 7, 2025<July 7, 2025 Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom by Danielle Holian
July 3, 2025<July 3, 2025 “The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’ by Emily Frances Algar
July 3, 2025<July 3, 2025 “Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino” by Mitch Mosk
July 2, 2025<July 2, 2025 “Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP by Mitch Mosk
July 2, 2025<July 9, 2025 “Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet by Mitch Mosk
July 2, 2025<July 2, 2025 Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song” by Mitch Mosk
July 2, 2025<July 2, 2025 Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City by David Buyze
For the Love of Music
For the Love of Music
