April 23, 2024<April 23, 2024 “You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change by Chloe Robinson
April 23, 2024<April 23, 2024 Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm by Minna Abdel-Gawad
April 22, 2024<April 22, 2024 Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache by Mitch Mosk
April 22, 2024<April 22, 2024 ‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming by Lauren Turner
April 22, 2024<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ by Atwood Magazine Staff
April 21, 2024<April 17, 2024 Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound by Danielle Furman
April 20, 2024<April 17, 2024 “Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes” by Emily Frances Algar
April 19, 2024<April 22, 2024 Atwood Magazine’s Weekly Roundup: April 19, 2024 by Atwood Magazine Staff
April 19, 2024<April 19, 2024 Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound by Chloe Robinson
April 19, 2024<April 19, 2024 “I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ by Mitch Mosk
April 19, 2024<April 19, 2024 Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” by Sophie Severs
8.1 April 19, 2024<April 19, 2024 Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” by Julia Dzurillay
April 19, 2024<April 19, 2024 “Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie by Mitch Mosk
April 18, 2024<April 18, 2024 “Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang by Mitch Mosk
April 18, 2024<April 20, 2024 Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them by Blake McMillan
For the Love of Music
For the Love of Music
