Felicity’s “I’ll Have What He’s Having” blends sharp lyricism and restrained heartbreak, offering a glimpse into the late-night honesty that defines her upcoming EP.

“I’ll Have What He’s Having” – Felicity

(adsbygoogle = window.adsbygoogle || []).push({});

Imagine a dinner party with Freddie Mercury, Chappell Roan, Hozier, Lorde, Charli XCX and Prince.

The stories would be wild, the outfits even wilder, and the spontaneous songwriting session would spill out as effortlessly as vermouth into a martini glass.

It’s a bold and unpredictable scene dreamed up by singer/songwriter Felicity, and it mirrors the kind of unfiltered, captivating energy she brings to her music.

That energy takes center stage in her newest release, “I’ll Have What He’s Having,” the latest single from her forthcoming EP, 4PM In the Morning, due out August 1. The cheeky and upbeat track reframes heartbreak through the lens of quiet envy and self-reckoning. It’s proof that Felicity isn’t just here to make noise; she’s here to say something.

“I wrote it while watching someone live the life I thought I’d have,” she says. “It’s not rage. It’s more like… resignation. That quiet kind of bitterness that feels like it’s just yours.”

The result strikes a balance between control and vulnerability, which is a natural fit for an EP about what’s left behind after the dust settles.

If her debut EP, You Take Me to Dinner but You’ll Never Feed My Soul, was about being seen but not understood, 4PM In the Morning picks up the story the next day – after the sparkle fades, the makeup smudges, and the truth shows itself out. It’s personal, but not precious.

(adsbygoogle = window.adsbygoogle || []).push({});

Across her body of work, Felicity consistently shape-shifts her voice to match each song’s emotional tone.

From the scandalous swagger of “3 Martinis” (just dirty enough that she warned her mom not to listen) to the cracked optimism of “Half Sad,” her songwriting thrives in emotional grey zones – those messy, relatable spaces between hope and hurt that define her sound.

“I don’t ever feel super happy, but I’m never on the brink of hopelessness either,” she says. “There’s so much inspiration when you’re in that in-between place. Everyone I talk to is on the same sh*t – on some SSRI, kind of dead inside – and I’m like, same, girl. Here’s the soundtrack.”

That ability to turn disillusionment into catharsis is one of Felicity’s most magnetic traits. Her songs often feel like pages from a diary that are real, unfiltered and attempting to make sense of the drama.

“I think I’ve always processed life through melody,” she says. “Sometimes I’ll write a song before I even realize how I feel. It’s like I’m unpacking things one lyric at a time.”

(adsbygoogle = window.adsbygoogle || []).push({});

Her instinct to write her way through the chaos has sharpened since relocating to Nashville.

There, she’s found not only a well of inspiration, but also a close-knit community of collaborators who challenge and understand her.

“I go into a room with one guy, and he plays like five guys who’ve spent their whole lives doing this,” she says. “That kind of magic – only Nashville.”

Despite easy comparisons to Amy Winehouse, Chappell Roan, Florence and the Machine, Felicity seems to resist being boxed in.

Raised in Perth, Australia, she grew up in a musically rich and diverse household: her mom adored Winehouse and Celine Dion, while her dad leaned into Queen and David Bowie. She studied classical piano, devoured musical theatre, and wrote her first song at 15. And she knows her stuff – dropping facts about other artists like a modern day, musically-inclined Cliff Claven.

(adsbygoogle = window.adsbygoogle || []).push({});

Felicity’s global upbringing, shaped by life in multiple countries, gave her a rare perspective on how music can transcend geography and connect people through feeling.

“I like that every project feels like its own little world,” she says. “But I’m always building from the same emotional foundation.”

That foundation and refusal to flinch from the hard stuff gives 4PM In the Morning its heartbeat. Narrowing down the final track list from dozens of contenders wasn’t easy.

“You get attached to everything,” Felicity says. “But over time, the songs that are supposed to make sense… they start to make sense.”

— —

:: stream/purchase I’ll Have What He’s Having here ::

:: connect with Felicity here ::

— —

“I’ll Have What He’s Having” – Felicity

(adsbygoogle = window.adsbygoogle || []).push({});

— — — —

Connect to Felicity on
Facebook, 𝕏, TikTok, Instagram

Discover new music on Atwood Magazine

 © Hannah Gray Hall

:: Stream Felicity ::

(adsbygoogle = window.adsbygoogle || []).push({});

(adsbygoogle = window.adsbygoogle || []).push({});