January 17, 2024<January 17, 2024 Track-by-Track: Dylan LeBlanc Unpacks His Own Humanity in ‘Coyote,’ a Cinematic, Cerebral, & Thrilling Concept Album by Mitch Mosk
January 16, 2024<January 16, 2024 Today’s Song: Toronto’s Ducks Ltd. Hitch a Rollicking, Runaway “Train Full of Gasoline” by Mitch Mosk
January 15, 2024<January 13, 2024 Today’s Song: Adrianne Lenker Professes Desolation, Despair, & Heartbreak on Agonizing New Single “Ruined” by Jake Fewx
January 14, 2024<January 13, 2024 Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers” by Hannah Burns
January 13, 2024<January 13, 2024 Today’s Song: Jessica Harper’s Sinister Alter Ego Dama Blake Takes Full Flight on “Witch Hunt” by Josh Weiner
January 12, 2024<January 16, 2024 Atwood Magazine’s Weekly Roundup: January 12, 2024 by Atwood Magazine Staff
January 12, 2024<January 12, 2024 Artist to Watch: Nashville’s Roanoke Come “Back Again” With Spirited Passion & Charming Nostalgia by Mitch Mosk
January 12, 2024<January 12, 2024 Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed by Mitch Mosk
January 12, 2024<January 12, 2024 Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience by Mitch Mosk
January 11, 2024<January 11, 2024 “Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption by Mitch Mosk
January 11, 2024<January 11, 2024 Artist to Watch: Brenn! Weaves a Buoyant, Bittersweet Folk-Pop Reverie in “Valapriso” by Mitch Mosk
January 10, 2024<January 10, 2024 Premiere: Birksie Debuts With Blustering Folk Rock Passion in “Tug of War” by Mitch Mosk
January 10, 2024<January 10, 2024 Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge by Josh Weiner
January 10, 2024<January 10, 2024 Premiere: Joshua Crumbly Dwells in Dreamy Reverie on “steps” ft. Samora Pinderhughes by Mitch Mosk
January 10, 2024<January 10, 2024 Interview: The Vaccines’ Justin Young on the Space Between Reality & Expectation in ‘Pick-Up Full of Pink Carnations’ by Guest Writer
For the Love of Music
For the Love of Music
