January 9, 2024<January 9, 2024 Interview: London’s Slaney Bay Embrace the Highs & Lows of Human Experience in ‘Why Does Love Mean Loss?’ EP by Mitch Mosk
January 9, 2024<January 9, 2024 Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías by Sofia Sar
January 8, 2024<January 8, 2024 Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity by Josh Weiner
January 8, 2024<January 8, 2024 Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free” by Mitch Mosk
January 7, 2024<January 8, 2024 The River Flows At Its Own Speed: An Interview With Dhani Harrison by Aidan Moyer
January 7, 2024<January 13, 2024 Today’s Song: Restraint and Release in Hovvdy’s “Bubba” by Hannah Burns
January 6, 2024<January 5, 2024 Today’s Song: Danny Dwyer’s “Asthma” (Billy Lemos Remix) Is a Celebration of Life & Friendship by Eric Schuster
January 5, 2024<January 5, 2024 Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip by Mitch Mosk
January 5, 2024<January 5, 2024 Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP by Lauren Hicks
January 5, 2024<January 4, 2024 Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives by Chloe Robinson
January 3, 2024<January 3, 2024 Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit by Guest Writer
December 22, 2023<December 22, 2023 Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure by Mitch Mosk
December 21, 2023<December 21, 2023 Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2! by Atwood Magazine Staff
For the Love of Music
For the Love of Music
