October 19, 2023<October 19, 2023 “If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single by Mitch Mosk
October 19, 2023<October 19, 2023 “Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’ by Mitch Mosk
October 18, 2023<October 18, 2023 Live Review: Maisie Peters Stuns in Texas with the Spectacular Good Witch Show by Kelly McCafferty Dorogy
October 18, 2023<October 18, 2023 Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak by Claire Meyer
October 18, 2023<October 24, 2023 Podcast: Tunes & Tumblers Features The Bobby Lees and a Junkyard Juice (ft. Macky Bowman) by Atwood Magazine Staff
October 18, 2023<October 17, 2023 Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings by Mitch Mosk
October 17, 2023<October 17, 2023 Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour by Kelly McCafferty Dorogy
October 17, 2023<October 17, 2023 EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie by Mitch Mosk
October 16, 2023<October 16, 2023 Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’ by Mitch Mosk
October 16, 2023<October 16, 2023 Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar by Eric Schuster
October 15, 2023<October 15, 2023 Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All by Chloe Robinson
October 14, 2023<October 14, 2023 Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice” by Julia Dzurillay
October 13, 2023<October 13, 2023 Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father by Mitch Mosk
October 13, 2023<October 16, 2023 Atwood Magazine’s Weekly Roundup: October 13, 2023 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
