October 23, 2023<October 23, 2023 Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)” by Sophie Severs
October 23, 2023<April 15, 2024 Live Review: Thundercat Puts Improv Skills on Display During Two-Night Run at Brooklyn Mirage by Max Kalnitz
October 21, 2023<October 21, 2023 Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way by Sofia Sar
October 20, 2023<October 27, 2023 Atwood Magazine’s Weekly Roundup: October 20, 2023 by Atwood Magazine Staff
October 20, 2023<October 20, 2023 Lovetta Finds Her North Star on “Havin’ a Good Time,” a Spirited Ode to Finding Happiness in the Everyday by Mitch Mosk
October 20, 2023<October 29, 2023 Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’ by Mitch Mosk
October 20, 2023<October 20, 2023 Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’ by Mitch Mosk
October 20, 2023<October 20, 2023 Interview: MisterWives Reflect on Their ‘Nosebleeds’ Era and Face-Melting Don’t Look Down Tour by Kelly McCafferty Dorogy
October 19, 2023<October 19, 2023 Premiere: Emily Vaughn’s “is anybody happy?” Is a Vulnerable, Raw Reckoning With Adult Anxiety by Mitch Mosk
October 19, 2023<October 19, 2023 Artist to Watch: Matilda Lyn’s “Fooled by September” Is a Fragile Ode to Fleeting Beauty by Mitch Mosk
October 19, 2023<October 19, 2023 Premiere: The Dreamy Warmth & Existential Ache of Signe Vange’s “Skyscraper” ft. Lise Westzynthius by Mitch Mosk
October 19, 2023<October 19, 2023 “If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single by Mitch Mosk
October 19, 2023<October 19, 2023 “Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’ by Mitch Mosk
October 18, 2023<October 18, 2023 Live Review: Maisie Peters Stuns in Texas with the Spectacular Good Witch Show by Kelly McCafferty Dorogy
October 18, 2023<October 18, 2023 Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak by Claire Meyer
For the Love of Music
For the Love of Music
