June 20, 2024<June 20, 2024 Interview: Remaining an Optimist Amidst Dysfunction, viisi Takes Us Inside the Relationship That Inspired New Single “paradise” by Grace Holtzclaw
June 20, 2024<June 20, 2024 Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration by Aidan Moyer
June 20, 2024<June 19, 2024 “We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby” by Mitch Mosk
June 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
June 19, 2024<June 19, 2024 Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR” by Ciaran Short
June 19, 2024<June 19, 2024 Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive” by Mitch Mosk
June 19, 2024<June 18, 2024 “Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)” by Mitch Mosk
June 18, 2024<June 29, 2024 Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion by Atwood Magazine Staff
June 18, 2024<February 11, 2025 Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico by David Buyze
June 18, 2024<June 18, 2024 Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’ by Oliver Crook
June 18, 2024<June 18, 2024 Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It by Rachel Leong
June 18, 2024<June 24, 2024 “There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years by Mitch Mosk
June 14, 2024<June 19, 2024 “A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out by Mitch Mosk
June 14, 2024<June 14, 2024 “Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever” by Mitch Mosk