January 4, 2023<January 4, 2023 Today’s Song: The Lemon Twigs Declare Love at Second Sight with New Single, “Corner of My Eye” by Sophie Severs
December 21, 2022<December 21, 2022 Atwood Magazine’s 2022 Albums of the Year by Atwood Magazine Staff
December 20, 2022<April 26, 2023 Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN” by Mitch Mosk
December 20, 2022<December 20, 2022 “I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written by Nick Polak
December 19, 2022<December 18, 2022 Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’ by Beau Hayhoe
December 19, 2022<January 7, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3 by Atwood Magazine Staff
December 16, 2022<December 16, 2022 Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’ by Mitch Mosk
December 16, 2022<December 20, 2022 Atwood Magazine’s Best Concerts of 2022! by Atwood Magazine Staff
December 16, 2022<December 16, 2022 Atwood Magazine’s Weekly Roundup: December, 16, 2022 by Atwood Magazine Staff
December 15, 2022<December 15, 2022 “There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More by Michael Greco
December 15, 2022<March 11, 2023 Atwood Magazine’s Top Artist Discoveries of 2022 by Atwood Magazine Staff
December 14, 2022<December 28, 2023 Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More by Andrew Daly
December 14, 2022<March 11, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2 by Atwood Magazine Staff
December 14, 2022<December 14, 2022 Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’ by Beau Hayhoe