June 10, 2024<January 15, 2025 Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP by Mitch Mosk
June 10, 2024<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’ by Atwood Magazine Staff
June 10, 2024<June 11, 2024 “Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion by Mitch Mosk
June 10, 2024<June 11, 2024 Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single by Julia Dzurillay
June 9, 2024<June 7, 2024 Sweet, Surreal, & Absolutely Mystifying: Rosie Lowe Radiates a Sultry Seduction on “Mood to Make Love” by Jake Fewx
June 8, 2024<June 7, 2024 Yannis & The Yaw Combine the Brilliance of Tony Allen & the Talent of Foals’ Yannis Philippakis to Create Catchy, Breezy Rock on “Walk Through Fire” by Oliver Crook
June 7, 2024<June 7, 2024 Review: One Step Closer Deliver a Ferocious Coming-of-Age Record With ‘All You Embrace’ by James Crowley
June 7, 2024<June 7, 2024 Premiere: Just Like Seasons Change, So Do Seasons of the Soul – and for Lucia Rivero, “Winter” Has Arrived by Kareem Ghezawi
June 7, 2024<June 7, 2024 Interview: Tapping into Wonder, Alisa Amador Embraces Her ‘Multitudes’ by Sophie Severs
June 7, 2024<June 7, 2024 “There’s something very freeing about oversharing with millions of strangers”: LØLØ Reflects on Her Unapologetically Confessional Debut, ‘falling for robots & wishing i was one’ by Rachel Leong
June 7, 2024<June 9, 2024 “Same Girl, But Stronger”: Country Singer Carly Pearce Opens Up About Her Fourth Album, ‘hummingbird’ by Emily Frances Algar
June 6, 2024<June 6, 2024 Interview: Lee Aaron Talks New Record ‘Tattoo Me,’ Metal Queen’s 40th Anniversary, & the Importance of Trusting Your Instincts by Guest Writer
June 6, 2024<June 6, 2024 “The harvest and the heartache”: Jed and the Valentine’s “Mineral” Is a Spirited Folk Rock Ode to the Universe by Mitch Mosk
June 6, 2024<June 6, 2024 Premiere: William Fitzsimmons’ “Holding A Place For You” (ft. Bre Kennedy) Aches With the Weight of Grief, Loss, & Letting Go by Mitch Mosk