November 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
November 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
November 14, 2024<November 14, 2024 Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’ by Mitch Mosk
November 13, 2024<November 13, 2024 “Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP by Mitch Mosk
November 5, 2024<November 5, 2024 “Anxious, Intense, & Fragile”: deary’s Dream Pop Universe Evolves and Expands With ‘Aurelia’ EP by Mitch Mosk
November 1, 2024<November 2, 2024 “Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album by Mitch Mosk
November 1, 2024<November 1, 2024 “Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut by Mitch Mosk
November 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
October 30, 2024<October 30, 2024 Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’ by Mitch Mosk
October 29, 2024<November 7, 2024 Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’ by Mitch Mosk
October 29, 2024<October 29, 2024 “Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album by Mitch Mosk
October 25, 2024<October 25, 2024 Track-by-Track: William Harries Graham Breaks Down His Narrative-Driven Album, ‘Annie’s House’ by Frankie Rose
October 22, 2024<October 22, 2024 “Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair by Mitch Mosk
For the Love of Music
For the Love of Music
