December 13, 2024<December 13, 2024 Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut by Mitch Mosk
December 12, 2024<December 12, 2024 Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream by Mitch Mosk
December 11, 2024<December 11, 2024 “Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP by Mitch Mosk
December 11, 2024<December 11, 2024 “It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album by Mitch Mosk
December 11, 2024<December 11, 2024 Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’ by Joe Beer
December 5, 2024<December 9, 2024 Feature: The Deep Heat of Azekel’s Sensual, Provocative, & Spiritual ‘Sonic Incense’ by Mitch Mosk
December 5, 2024<December 5, 2024 “Mess and Love”: Eden Rain Captures Intimacy’s Raw Intensity on Third EP ‘Anyway, how are you?’ by Mitch Mosk
December 4, 2024<December 4, 2024 Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album by Mitch Mosk
December 4, 2024<December 4, 2024 “Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’ by Mitch Mosk
December 4, 2024<December 4, 2024 Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey by Mitch Mosk
December 3, 2024<December 3, 2024 “I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album by Mitch Mosk
November 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
November 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
November 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
For the Love of Music
For the Love of Music
