August 23, 2022 August 23, 2022 “A musical deep breath”: Mo Lowda & the Humble’s Smoldering ‘Lily Pads / Snowbird’ EP by Mitch Mosk
August 16, 2022 August 16, 2022 “Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’ by Mitch Mosk
August 15, 2022 August 15, 2022 “I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’ by Mitch Mosk
August 15, 2022 August 15, 2022 “Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’ by Mitch Mosk
August 12, 2022 August 22, 2022 Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’ by Mitch Mosk
August 10, 2022 August 10, 2022 Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’ by Mitch Mosk
August 5, 2022 August 4, 2022 “Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’ by Mitch Mosk
August 3, 2022 August 4, 2022 BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album by Mitch Mosk
July 20, 2022 July 12, 2022 “Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP by Joe Beer
July 12, 2022 July 12, 2022 “I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’ by Mitch Mosk
July 12, 2022 July 12, 2022 “A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’ by Mitch Mosk
July 12, 2022 July 12, 2022 Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’ by Mitch Mosk
July 11, 2022 July 11, 2022 “An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’ by Mitch Mosk
July 11, 2022 July 11, 2022 “Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’ by Mitch Mosk
July 8, 2022 July 8, 2022 ‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album by Mitch Mosk
For the Love of Music
For the Love of Music
