May 7, 2024<May 7, 2024 “Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut by Mitch Mosk
May 7, 2024<May 7, 2024 “A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy by Mitch Mosk
May 6, 2024<May 6, 2024 ‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP by Mitch Mosk
May 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
May 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
May 2, 2024<May 2, 2024 “An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’ by Mitch Mosk
April 30, 2024<April 30, 2024 “The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie by Mitch Mosk
April 30, 2024<April 30, 2024 “Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection by Mitch Mosk
April 30, 2024<May 15, 2024 “You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection by Mitch Mosk
April 26, 2024<April 26, 2024 “Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’ by Mitch Mosk
April 24, 2024<April 24, 2024 Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest by Mitch Mosk
April 23, 2024<April 23, 2024 “Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie by Mitch Mosk
April 22, 2024<April 22, 2024 ‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming by Lauren Turner
April 19, 2024<April 19, 2024 “I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ by Mitch Mosk
April 19, 2024<April 19, 2024 “Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie by Mitch Mosk
For the Love of Music
For the Love of Music
