March 20, 2024<March 20, 2024 Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People by Mitch Mosk
March 14, 2024<March 14, 2024 Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream by Mitch Mosk
March 12, 2024<March 12, 2024 Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape by Mitch Mosk
February 26, 2024<February 26, 2024 Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie by Mitch Mosk
February 23, 2024<February 23, 2024 “The whole point, to me, is to make somebody feel seen”: Hana Eid Exposes Life’s Cracks on ‘I Exist Because You Say So,’ Her Gut-Wrenching Coming-of-Age Debut by Mitch Mosk
February 21, 2024<February 21, 2024 Track-by-Track: Varsity Measure a Year in the Life With ‘Souvenirs,’ Their Sweeping & Soaring 4th Album by Mitch Mosk
February 16, 2024<February 16, 2024 Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’ by Mitch Mosk
February 16, 2024<February 17, 2024 ‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP by Mitch Mosk
February 13, 2024<February 13, 2024 Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House by Mitch Mosk
February 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
February 8, 2024<February 8, 2024 “Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go by Mitch Mosk
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
February 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
February 1, 2024<February 1, 2024 Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed by Mitch Mosk
For the Love of Music
For the Love of Music
