Home
About
Upcoming Album Releases
2025 Artists to Watch
Get Involved
Pitching Us
Contact
Bio Services

For the Love of Music

Search for:

New Music Releases
Recent
Features
Interviews
Editor’s Picks
Reviews
- Our Take
- Debuts
- Videos
- Live
Columns

The Walters

The Walters © Rachel Briggs

Debut, Features, Interviews, MusicApril 29, 2025<April 29, 2025

Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery

by Miranda Urbanczyk

Atwood Magazine's Weekly Roundup | June 9, 2023

Columns, Features, Music, Weekly RoundupJune 9, 2023<June 10, 2023

Atwood Magazine’s Weekly Roundup: June 9, 2023

by Atwood Magazine Staff

The Walters © Elena Kulikovaå

Features, Interviews, MusicJanuary 25, 2022<January 25, 2022

Feature: 2022 Belongs to The Walters

by Anthony Kozlowski

Search for:

Brand New

“I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream
Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit
“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere”
“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity”
“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone
“There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing
“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’

:: discover something new ::

:: discover something new ::

Search for:

Recent Posts

“I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
“There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
“I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

Back to top

Search for:

New Music Releases
Recent
Features
Interviews
Editor’s Picks
Reviews
- Our Take
- Debuts
- Videos
- Live
Columns

Home
About
Upcoming Album Releases
2025 Artists to Watch
Get Involved
Pitching Us
Contact
Bio Services