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Debut, Music, ReviewsMarch 24, 2020<March 24, 2020

Review: Melbourne’s Big Yawn Arrive Mightily on the Underground Scene with Delirious Debut ‘No!’

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Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone
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Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’
Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again”

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Recent Posts

Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone May 4, 2024
Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight May 4, 2024
Atwood Magazine’s Weekly Roundup: May 3, 2024 May 3, 2024
“Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut May 3, 2024
Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry May 3, 2024
Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ May 3, 2024
Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again” May 3, 2024
“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret May 3, 2024
This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” May 3, 2024
“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’ May 2, 2024

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