Columns, Editor's Picks, Features, MusicFebruary 19, 2026<February 19, 2026 Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! by Mitch Mosk
Artist to Watch, Features, Lists, MusicFebruary 12, 2026<February 12, 2026 Atwood Magazine’s 2026 Artists to Watch by Atwood Magazine Staff
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
Features, Lists, MusicDecember 19, 2024<January 6, 2025 Atwood Magazine’s 2024 Albums of the Year by Atwood Magazine Staff
Music, Reviews, This Just InJune 19, 2024<June 19, 2024 Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive” by Mitch Mosk
Columns, Features, Music, Weekly RoundupJune 7, 2024<June 12, 2024 Atwood Magazine’s Weekly Roundup: June 7, 2024 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
Artist to Watch, Features, Lists, MusicFebruary 12, 2024<February 15, 2024 Atwood Magazine’s 2024 Artists to Watch by Atwood Magazine Staff
For the Love of Music
For the Love of Music
