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BURS

Burs © 2020

Debut, Music, Reviews, Track-by-TrackJune 26, 2020<June 26, 2020

Track-by-Track: Ontario’s BURS Debut with Depth & Vulnerability in Stirring EP ‘Through Windows’

by Mitch Mosk

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Brand New

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce
Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut
Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On
“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream
“I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’
Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song
Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound

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Recent Posts

Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce November 22, 2024
Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut November 22, 2024
Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On November 22, 2024
“Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream November 21, 2024
“I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ November 21, 2024
Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song November 21, 2024
Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound November 21, 2024
Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds November 21, 2024
Atwood Magazine’s Weekly Roundup: November 20, 2024 November 20, 2024
“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos November 20, 2024

© Atwood Magazine 2024 For the Love of Music

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