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KAIRO

KAIRO © Léo Joubert

Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024

Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’

by Mitch Mosk

KAIRO © Ashley Thompson

Debut, Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Love Letters From Houston”: KAIRO Set a Stunning Foundation with Radiant & Sun-Kissed Debut EP

by Mitch Mosk

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Brand New

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’
“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love
Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’
“Maybe you’re always seventeen in your hometown”: Sydney Ross Mitchell’s “Queen of Homecoming” Captures the Bittersweet Ache of Belonging
Social Order Are Pushing Darkwave Post-Punk Forward Without Apology
“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’
“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation”

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Recent Posts

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’ January 21, 2026
“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love January 21, 2026
Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’ January 21, 2026
“Maybe you’re always seventeen in your hometown”: Sydney Ross Mitchell’s “Queen of Homecoming” Captures the Bittersweet Ache of Belonging January 21, 2026
Social Order Are Pushing Darkwave Post-Punk Forward Without Apology January 20, 2026
“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’ January 20, 2026
“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation” January 20, 2026
“Teenage me would be like, ‘This is sick!’”: Fake Dad Embrace the Weird on “Science Fiction” and a Breakout Year January 20, 2026
Hilary Duff Isn’t Your “Roommate” – She’s Your Wake-Up Call January 19, 2026
“This life’s a precious coffin”: Sly Jr. Embraces Love & Tenderness at the End of the World on “put down your weapons” January 18, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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