Features, Music, Reviews, RoundtableSeptember 3, 2026<September 3, 2026 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ by Atwood Magazine Staff
Interviews, Music, Today's SongSeptember 2, 2026<September 2, 2026 “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth by Mitch Mosk
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Debut, Features, Interviews, MusicSeptember 2, 2026<September 2, 2026 “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP by Kelsey Ferrell
Artist to Watch, Music, ReviewsSeptember 2, 2026<September 2, 2026 “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” by Mitch Mosk
Interviews, Music, Today's SongSeptember 1, 2026<September 1, 2026 “Take the Roof Off and Sing Along”: Borderline Channel Collapse into Catharsis on “Watching It Burn,” an Arena-Sized Anthem of Ruin & Release by Mitch Mosk
Concerts, Interviews, MusicSeptember 1, 2026<September 1, 2026 Chasing Presence: Winyah Discuss What It Means to Be ‘Right Here, Right Now’ by Jason Bauer
Interviews, MusicSeptember 1, 2026<September 1, 2026 “The Horrors of My Twenties”: Ally Evenson on the ‘Speed Kills’ Film, Panic, and Empowerment by Nasim Elyasi
For the Love of Music
For the Love of Music
