Interviews, Music, ReviewsSeptember 30, 2026<September 30, 2026 Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ by Aileen Goos
Features, Interviews, MusicSeptember 30, 2026<October 1, 2026 “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band by Annaliese Baker
Features, Music, Reviews, RoundtableSeptember 30, 2026<September 30, 2026 Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ by Atwood Magazine Staff
Music, ReviewsSeptember 30, 2026<September 30, 2026 Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ by David Buyze
Artist to Watch, Debut, Interviews, Music, Today's SongSeptember 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
Debut, Features, Interviews, MusicSeptember 29, 2026<September 29, 2026 “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut by Mitch Mosk
Debut, Features, Interviews, MusicSeptember 29, 2026<September 29, 2026 “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection by Isabella Appell
6.5 Music, Our Take, ReviewsSeptember 29, 2026<September 29, 2026 Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ by Julia Dzurillay
Music, ReviewsSeptember 28, 2026<September 28, 2026 “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” by Mitch Mosk
Interviews, Music, Today's SongSeptember 28, 2026<September 28, 2026 “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything by Mitch Mosk
Interviews, Music, PremieresSeptember 28, 2026<September 28, 2026 “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie by Mitch Mosk
Columns, Features, Music, Weekly RoundupSeptember 25, 2026<September 28, 2026 Atwood Magazine’s Weekly Roundup: September 25, 2026 by Atwood Magazine Staff
Interviews, Music, Track-by-TrackSeptember 25, 2026<September 25, 2026 “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ by Aileen Goos
Interviews, Music, Music Videos, PremieresSeptember 25, 2026<September 25, 2026 “Showing Up Doesn’t Always Look Heroic”: Clever Hopes Makes Space for Grief & Love on the Tenderly Radiant “Fumbled Dreams” ft. Jenn Grant by Mitch Mosk
Interviews, Music, Today's SongSeptember 25, 2026<September 25, 2026 “The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist by Mitch Mosk
For the Love of Music
For the Love of Music
