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Ethan Germann

Ethan Germann

I am a recent graduate of Loyola University New Orleans, where I studied business with a focus on the music industry. Writing for Atwood Magazine has allowed me to highlight the music that is most relevant to my current life situations and to recognize outstanding talent. My musical tastes range anywhere from R&B/pop crossover artists to more soulful throwback sounds, though I choose to write about artists with standout stories, lyrics, and melodies that transcend genre. Favorite artists include Sabrina Claudio, The Internet, Jorja Smith, Kali Uchis, Zak Abel, Tom Misch, and Louis The Child. I am living in Los Angeles, focusing my time on a career in artist management.

Vitamin D - drumaq
Music, ReviewsSeptember 18, 2019<September 18, 2019

Review: Pop Newcomer drumaq Wears His Heart On His Sleeve In ‘Vitamin D’

John The Blind © Jimmy Fontaine
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: John The Blind Trusts His Intuition on Prismatic “Paranoid”

Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

Sasha Sloan © Nicolita Bradley
Debut, Features, Interviews, MusicJuly 9, 2018<July 18, 2018

The Voice of Our Generation: An Interview with Sasha Sloan

Mulherin © Tommy Kha
Columns, Music, Today's SongFebruary 15, 2018<February 15, 2018

Today’s Song: Mulherin Indulge in “All to Myself”

As She Pleases - Madison Beer
Features, Music, Our Take, ReviewsFebruary 7, 2018<February 7, 2018

Our Take: Madison Beer Does It Her Way on ‘As She Pleases’ EP

When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

Alia © Ilana Morgan
Columns, Music, Today's SongJanuary 9, 2018<January 9, 2018

Today’s Song: Alia Gets Up Close and Personal with “Brain”

lauv © Jennica Mae
Columns, Music, Today's SongJanuary 4, 2018<January 4, 2018

Today’s Song: Take a Honeymoon to France with Lauv’s “Paris in the Rain”

Hudson Thames © 2017
Features, Interviews, MusicSeptember 8, 2017<July 18, 2023

The Sound of Timeless Youth: A Conversation with Hudson Thames

Music, Our Take, ReviewsSeptember 5, 2017<September 5, 2017

Our Take: Luke Christopher’s TMRWFRVR, A Movement For The Future

Boy - Bibi Bourelly
Columns, Music, Music You Should KnowAugust 24, 2017<August 25, 2017

Music You Should Know: Bibi Bourelly’s Intimate Live Studio Project “Boy”

Manic Revelations - Pokey LaFarge
Music, Our Take, ReviewsJune 14, 2017<June 13, 2017

Our Take: Pokey LaFarge’s ‘Manic Revelations’ Is a True American Story

Stoop Kids © 2017
Features, Music, PremieresMay 4, 2017<May 4, 2017

Premiere: The Purposeful Pandemonium of Stoop Kids’ Mixtape ‘Queue’

Earl St. Clair © Def Jam 2017
Features, Interviews, MusicMarch 29, 2017<April 5, 2017

The Healing Process: A Conversation with Earl St. Clair

Posts pagination
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Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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