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Kendall Graham

Kendall Graham

Kendall is a writer and communications professional born and raised on Nantucket Island, and is currently in (leisurely) pursuit of her Master’s degree in Professional Writing from New York University. Most likely to be found in the woods or at the shores. She loves rock, electronic, and alternative genres, as well as writing and introducing friends to new music. Lately she’s been obsessed with women- and femme-fronted rock and metal. But anything with a nice groove will hold her attention. Also a long-time Spoon superfan.

Colors - Beck
Music, Our Take, ReviewsOctober 17, 2017<October 17, 2017

Our Take: Beck Feels All of the ‘Colors’ on New Album

Andrew Belle © 2017
Columns, Music, Today's SongAugust 7, 2017<August 7, 2017

Today’s Song: Leaps of Faith Abound Throughout Andrew Belle’s “Honey and Milk”

Joywave © David O'Donohue
Columns, Music, Today's SongJuly 18, 2017<July 18, 2017

Today’s Song: Joywave Sharpen Focus on Terse Single “It’s a Trip!”

Friend Roulette © Stephanie Gould
Features, Music, PremieresJune 15, 2017<June 15, 2017

EP Premiere: Friend Roulette Pay Whimsical Homage on ‘The Matt Sheffer Songbook Vol. 1’

Paramore © Fueled by Ramen
Columns, Music, Today's SongJune 5, 2017<March 2, 2025

Today’s Song: Paramore Retain Emo Mastery on “Idle Worship”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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