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Mariel Fechik

Mariel Fechik

Mariel Fechik is the interviews editor at Atwood. She is a writer, musician, and librarian from Chicago.

Space Honey © 2017
Music, Music Videos, PremieresOctober 20, 2017<October 20, 2017

Video Premiere: Space Honey’s Glittery, Vintage “Red Wine”

Music, Today's SongSeptember 14, 2017<September 14, 2017

Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me”

Faded Heart - Børns cover art
Features, Music, Reviews, This Just InAugust 3, 2017<August 3, 2017

This Just In: BØRNS’ Sugary, Galactic New Song “Faded Heart”

Talullah Ruff © Lissy Elle
Music, PremieresJuly 26, 2017<July 26, 2017

Premiere: Talullah Ruff’s Bold Statement In “I Am Not”

Ten Flowers - Kalbells
Music, Our Take, ReviewsJuly 20, 2017<July 20, 2017

Our Take: The Whimsical, Heartfelt Beauty of Kalbells’ Ten Flowers

Relaxer - alt-J
Features, Music, Our Take, ReviewsJuly 11, 2017<July 11, 2017

alt-J’s Relaxer: A Track-by-Track Review

Sasha & The Bear © 2017
Music, PremieresJune 29, 2017<June 29, 2017

Premiere: Sasha & The Bear’s Feverish “Out of My Mind”

Big Thief © Shervin Lainez
Columns, Music, Today's SongJune 23, 2017<June 23, 2017

Today’s Song: Big Thief’s Haunting and Bittersweet “Mary”

Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

Elliot Moss © Drew Reynolds
Columns, Music, Today's SongMay 31, 2017<May 31, 2017

Today’s Song: Floating in a Closed Loop of Elliot Moss’ “Boomerang” / “My Statue Sinking”

Posts pagination
1 … 5 6 7

Recent Posts

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  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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